April 2002
Hi.
I'm Susie Fowler, a.k.a. Shade Tree Potter.
I'm an artist
whose primary medium is clay (often with plants, stones and found
objects completing the piece). I've been making objects all my
life, from twig-baskets and berry-dyed napkins as a child, to
mobiles of collected clay pipe stems, ocean-carved sticks and
seagull bones assembled in Provincetown, Mass., from beach combings
collected at the tip of Cape Cod.
I'm a native Texan,
born in Fort Worth. I graduated from Austin College in Sherman,
Texas with a BA in Art, and returned from Massachusetts to Texas
to establish Shade Tree Potter studio in Sherman in 1977. My graduate
studies at Boston University and independent studies at Cape Cod
and Anderson Ranch in Snowmass, Colorado, expanded my definition
of pottery and created my awareness of clay art. My continuing
education through master classes and workshops with world-class
ceramic artists keeps me connected with other clay workers from
around the world. The boundary between art and craft never existed
for me. I was first a special education major who became a painting
and drawing major who then embraced clay, transferring my drawing
and color interests into the ceramic palette. It was the early
70s and I wanted to make pottery people would use in their daily
lives. Throughout the years I've ventured into other areas of
design, including space planning and interior design services:
using art, plants, images, textures and colors to create soothing
environments.
During my time as lead designer
for The Focused Image, I took design projects from concept to
space plan, to finish schedule, art and plants. I often built
the planters, lamps and "accent pieces" for the lobby, and even
arranged the flowers for the grand opening events. It's all design.
Today I'm living cliffside,
above the Pedernales River, and recording the world around me
in clay forms I call Harvest Trays and Fossil Forms. I'm tending
a 33-acre preserve and watching daily the miracle of Nature. Sometimes
I record it directly, as in impressions of the plant life. And
sometimes the expressions come directly from my imagination into
my hands, accumulated images and icons from the past 30 years
of making objects, one at a time, with my own two hands, in clay.
In 1973 I began making the
bowls and planters I called Fossil Forms. These pots are handbuilt
using glazed and unglazed inlaid colored clay slabs and coils.
I make all sizes from cereal bowls to planters for small trees.
The imagery of plant life, strata, landscapes, skyscapes, and
cosmic constellations all capture in clay the wonders of our universe.
Each is a one of-a-kind art piece, which only comes into full
expression when you fill it with your own granola, flowers, fruit,
plants, pasta, coins, wine corks, tree, etc. The piece changes
with its contents: the interplay of fruit or objects with the
colors of the bowl and the light in the room.
The Harvest Trays are my newest
investigation. The concept for these pieces began while I was
gathering seed from my wildflowers and collecting them for the
propagation I planned to do of the yellow Mexican Hats that grow
sparingly on this land. I was also planning a series of children's
classes at that time and thinking of how to lead the kids into
recognizing the patterns and textures of nature. I began to make
impressions of the seed heads and realized how clearly I could
capture the fine detail. Teaching always revitalizes my spirit
and opens new doors for my own expression.
The Harvest Trays are slabs
of clay, porcelain and stoneware, with impressions and expressions
of wildflowers, colored with washes of clear and colored glazes
revealing the "drawing" through the layers of glaze. They evoke
a fresh quality of snow or frost or fog, the image revealed as
if by erosion or evaporation.
Not to copy Nature but to work in its
manner.
Inevitably. Essentially.
As each piece I make is alive with the changing life of my hand
and mind.
Enjoy the natural beauty.
-Susie Fowler